Addiction is fundamental to the human condition. This show takes an unbiased examination of people existing, coping and being influenced by their predilections. The social realism of humans coming together to “get worse”.
Pre-dating the beloved 1996 film, the play was one of the many additions to the 90’s English in-yer-face theatre cannon that grabbed a new generation of audiences. The play is somewhat different to the film, as it doesn’t offer the characters any real chance to escape from their circumstances but instead presents vignettes based on parts of the novel, ranging from the mortally grave to the comically fantastical.
It’s not PC; it’s visceral and dangerous, poetic and joyful. It’s not entirely realistic, but it will be performed with the utmost courage and truth. There’s simulated sex, simulated drug use, simulated bodily functions, and nudity.
Directed by Simon Thomson, starring a stellar cast of Adam Golledge, Bruno Attanasio, Matthew Vautin, Jayden Muir, Shaw Cameron, Julie Bettens, Stephanie Eloise, Cassius Russell, and Jenae O’Connor
An Australian Bastardisation of William Shakespeare’s Hamlet.
“To die, to sleep—to sleep, maybe to dream. But there’s the catch: in death’s sleep who knows what kind of dreams we might have, after we’ve put the noise and turbulence of life behind us.”
Young Hannah is visited by the ghost of her father who pleads with her to seek revenge on his murderer. A twisted tale of domestic violence, addiction and homophobia that ends in tragedy.
GradCo.Studio return to Sydney Fringe Festival in 2018 with a new work devised and written by its members. We’ve taken the classic story of love and revenge and re-imagined it as a Western-Sydney family drama focused around a strong female hero. This thought provoking piece really poses the question – is it better to be or not to be.
Directed by Dale William Morgan with performances by Paris Change, Elsa Cherlin, Erin Cotton, Charlotte Day, Bernadette Fam, Sean Foster, Adam Golledge, Carita Gronroos and Elizabeth Nicholls.
September 4th-8th, 2018 for Sydney Fringe Festival.
Andrew Bovell is one of Australia’s foremost playwright’s and we are thrilled to bring his masterpiece Speaking in Tongues to Sydney once again after a 6 year hiatus.
“Loves not like that. If you love someone, you know it. If you don’t, you know it. I mean, a lot of people kid themselves. A lot of people let love slip into habit. But the truth’s the truth and everybody knows theirs.”
Two couples set out to betray their partners to fill an empty void. A therapist gets stuck and attempts to call the one person she trusts. One long lost lover grapples to come to terms with losing the woman who made him feel special.
This gripping drama runs parallel with a mystery, and we meet nine characters searching for meaning and purpose. Do they find it? Or do they find something else?
Crikey.com rated Speaking in Tongues A+ stating “It’s possibly the best Australian play in a generation or two, a must-see, one with which we can step proudly into the theatrical world.”
Be sure to catch one of the countries most loved stories on the stage again.
Directed by Jake Ludlow, with performances by Elsa Cherlin, Simon Thomson, Josie Waller & Dale William Morgan.
The Terminal at the Factory Theatre in October 2017.
A young woman suffering from Temporal Lobe Epilepsy, sometimes known as Alice In Wonderland Syndrome, begins an online relationship with someone she’s never met despite her therapist’s warning. What follows is a psychological game of cat and mouse where everything is not always as it seems.
A new Australian surrealist work focusing on a survivor’s story and the pitfalls of social networking, CageFish explores the dark side of sex in Australia.
Written and Directed by Simon Thomson and starring Mirise Van, Josie Waller, Simon Thomson, Bruno Attanasio, Charlotte Day.
Where: The Terminal @ The Factory Theatre
105 Victoria Road, Marrickville Season: 10-14th of October 2017 Runtime: approx 1 hour
A new Australian work exploring love and sexuality.
Can the most important conversation in our lives be the one we are most afraid of? The Birds, The Bees and The Entire Menagerie challenges what we were taught about sex, love and the basic elements of human connection. Is sex still just… sex?
THE BIRDS, THE BEES AND THE ENTIRE MENAGERIE is a Verbatim Theatre Piece that explores how we experience sexuality in modern society.
The piece is a joyous celebration of shifting perspectives and the ever-changing language we use to personally and collectively define our emotion and attraction to other human beings.
Utilizing audio recorded interviews with people of varying cultural, social and gender demographics we will be asking how they learnt about the birds and the bees and whether that informed their current sexual identity today.
Emphasis will be on physical theatre to explore the varying perspectives with a cast of five diverse performers.
Directed by Grace O’Connell with performances by Dale William Morgan, Alys Gwillim, Josie Waller and Adam Golledge
Where: The Office – HPG Festival Hub – 225 Euston Rd Alexandria.
Misfits is a physical theatre piece exploring the metaphysical state of falling in and out of love and the universal need to find your perfect ‘fit’. Set in the mundane environment of a contemporary laundromat, stories stop and start in search of their perfect match. Showing 4th/5th/6th March 2016 at Stomping Grounds 9 Stepney St, Stepney SA.